He seemed very engaged, though not as committed or passionate as in recent performances in Minnesota.Īt times, it felt as if Dylan were reciting poetry over a drummer-less band creating an impressionistic backdrop. His diction was as clear as it has ever been this century. With Dylan's face in shadows but his curly mullet back lit, the impeccable lighting enhanced the mood.įor a change at a Dylan concert, every listener could identify every song because the titles were superimposed on the screen at the beginning (except for the opening "When I Paint My Masterpiece").Īnd, unlike at an in-person Dylan concert, listeners could understand every lyric (even though he changed some of them). With ambivalent clubgoers in vintage outfits blowing smoke rings, the scene - a wood-paneled bar decorated with streamers and paper chains - exuded a distinctive "Twin Peaks" vibe. One of them even brushed some imaginary lint off his shoulder in the middle of this bluesy roadhouse shuffle, and he didn't seem to notice. Some numbers were even delivered without an audience.ĭuring "I'll Be Your Baby Tonight," two women stood next to the bard as he sang. Billed as "an exclusive broadcast event," these meticulously staged performances were recorded in two or three different settings, with the singer wearing a few different outfits. The musicians wore COVID masks (except for Dylan) and the audience members did not because they were actors, who were smoking, drinking and occasionally dancing. "Shadow Kingdom" - which premiered Sunday afternoon, of all times - is an intimate, artful performance, filmed in black-and-white in a tiny, smokey club. You didn't expect Bob Dylan's first streamed concert to be like any other act's, did you?
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